Source
Drop audio file or click to browse
WAV · MP3 · FLAC · OGG · M4A — up to ~500 MB
0:00 / 0:00
Loudness Target
Export Master
Offline render → downloads a WAV file you can publish to DSPs.
Spectrum Analyzer
Metering
-∞
Peak dBFS
-∞
RMS dBFS
-∞
LUFS-S
-∞
LUFS-I (integ.)
0.0
LRA
+1.00
Stereo Corr.
Stereo Field · Goniometer
Waveform
How to use Obsiden Master (mini-guide)
1. Drop your mix (ideally -6 to -3 dBFS peak headroom, no clipping).
2. Pick a target (Spotify −14, Apple −16, etc).
3. Subtractive EQ first — cut muddy 200–400 Hz if needed.
4. Use Compressor gently (1.5–2:1, 2–3 dB GR) to glue.
5. Stereo width: widen highs, keep bass mono (<120 Hz).
6. Push Limiter until LUFS-I hits your target. Watch for pumping.
7. A/B against bypass. If louder isn't better, pull back.
8. Render. Check on phone, earbuds, and a car.
2. Pick a target (Spotify −14, Apple −16, etc).
3. Subtractive EQ first — cut muddy 200–400 Hz if needed.
4. Use Compressor gently (1.5–2:1, 2–3 dB GR) to glue.
5. Stereo width: widen highs, keep bass mono (<120 Hz).
6. Push Limiter until LUFS-I hits your target. Watch for pumping.
7. A/B against bypass. If louder isn't better, pull back.
8. Render. Check on phone, earbuds, and a car.
Processing Chain
Input Gain + HPF
4-Band Mastering EQ
Glue Compressor
Gain reduction: 0.0 dB
Multiband Compressor (3-band)
GR L:0.0 M:0.0 H:0.0 dB
Reference Track Matching
No reference loaded.